Pretty much any audio file with a clearly defined Attack and Decay has the potential to yield interesting results. This is especially pertinent if you are a producer who prefers to do a lot of their sound design through the cutting and splicing of various audio samples.Ĭreating fresh Material within a Stagnant idea The characteristics of reversed samples are a very distinct sound, one that is easily recognizable, and using this distinct coloration, we can get great results on all sorts of samples through creative cutting and reversing. This can be achieved cleanly by duplicating your guitar track, choosing which notes you want to accentuate, cutting out those notes individually and reversing them, and deleting the notes we don't want.Ī similar effect to reinforcing a sound, but reversing samples doesn't have to be restricted to solely harmonic endeavors. By selectively choosing important notes in a harmony, and reversing them into themselves, you can make your guitar line draw listeners in with the allure of the unfamiliar sounds of the reversed guitar. One of my favorite uses of reversed sampling is on finger plucked acoustic guitars. Reverb, distortion, delay etc.) before you reverse it. You can even go above and beyond by adding additional processing to your snare (i.e. Reversed snare drums are super effective for creating emphasis on a particular snare hit in a pattern. One very common practice is the use of reversed crash cymbals into a drop, so that our last final seconds of build up are extra tense. Everything sounds good, but we feel like there should be a little extra something in the last bar to really up the stress, so that our drop feels a bit more satisfactory. Say we have an EDM track with a long, powerful build. You can reverse a number of different things to create different types of tension.
Reversing stuff can be used to:Ĭreating fresh material within a stagnant idea Using the reverse function can be useful in meeting a number of various production effects. Pretty much every DAW has a built in reverse function. Radial is proud to continue the Reamp tradition with the new JCR.Reversing stuff is a great way to get a fresh and interesting new twist on a sample or section of our song, especially in the beginning stages of production. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. And Reamping is no longer just for guitars… It is now common to Reamp bass, keyboards, drums, violin… you name it. With today's unlimited track capabilities, Reamping is now accessible to everyone. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio.
#Reamp studio plus#
The latest Radial version features separate XLR and ¼" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. Best of all, you can Reamp the track later as the production develops. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects.
The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. The Reamp JCR is a passive Reamper that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it.
Improves productivity while expanding creative options.Plug and play easy to use passive design.Original Reamp circuit designed by John Cuniberti.Lets you re-record tracks through a guitar or bass amp.
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